| Lately
I've been experimenting with older, rejected techniques. For instance,
for the last 30 odd years I've painted on a white ground, eschewing the
perfectly respectable imprimatura approach used here on the
theory that such paintings are about light, rather than color. However,
you'll note that I haven't had the opportunity to paint many nudes in
the past few years, so I've been taking advantage of the long pose at
Kate's weekly drawing session. It's only a forty minute pose and I've
felt my efforts have been just a little too sketchy; hence this
re-exploration of an academic technique. I may try a darker ground next
time. |
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Done
at Kate's Studio in Providence.
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